MOYRA CECILIA SILVA RODRÍGUEZ

2026

U N S I L E N C ED Resolution 26 | The Place (London, UK)

WHAT TO SEE AT RESOLUTION 2026 THE PLACE by Dance Art Journal (UK)

Resolution 2026 comes to The Place from Friday 9 January – Wednesday 25 February 2026, bringing together 60 companies across 20 exhilarating nights of performance.The UK’s biggest festival of new choreography, Resolution has been the unmissable contemporary dance festival in the UK for over 35 years. The festival is one of a few opportunities for not only audiences to experience new works, but artists (especially early career) to showcase new works on an international stage.

UPROAR’s reviews

Read full review: https://ayoungishperspective.co.uk/2025/08/04/review-uproar/embed/#?secret=U2JPUdXomn#?secret=fqvnw3gpXy

Read full review: https://www.londontheatrereviews.co.uk/post.cfm?p=25080

Read full review: https://www.dive-dance.com/post/camden-fringe-powerful-and-unforgotten-voices-in-uproar

A BRIDGE TO NOW/ UN PUENTE HACIA EL PRESENTE’S REVIEWS

Bridging US and Peruvian Immigration Stories. An Interview with Moyra Cecilia Silva Rodriguez by Emmaly Wiederholt

Moyra Cecilia Silva Rodriguez is a Peruvian dance artist currently based in London whose work delves into the fusion of performing and visual arts with dance anthropology. Inspired by her Chinese Peruvian ancestry, her interdisciplinary projects address themes of identity, migration, and belonging. She has recently teamed up with Lenora Lee, a choreographer based in San Francisco, to create A Bridge to Now/Un Puente hacia el Presente, a multimedia dance collaboration between US and Peruvian dancers

Bridging US and Peruvian Immigration Stories

‘A BRIDGE TO NOW’ by Lenora Lee Dance in collaboration with Moyra Silva, a review by Maxine Flasher-Duzgunes (Dance Art Journal)

“Dancer and co-artistic director of the project, Moyra Silva Rodríguez, spirals in and out of the floor, her arms like lifelines guiding each whorled pathway. She dances with signs of strength but also exhaustion, the rise and fall of a current that disrupts even the steadiest of us. Silva Rodriguez, whose Chinese-Peruvian heritage inspired the making of the piece, moves in transience, at some points getting caught in a physical coil and then sliding out to break free. “You are not Peruvian” is overheard in another interview, as historically tusán are not seen as rightful citizens of Peru, calling attention to the many lives within the country whose identities remain in fluctuation.”

Read full review: https://danceartjournal.com/2025/03/28/review-of-a-bridge-to-now-by-lenora-lee-dance-in-collaboration-with-moyra-silva/

NAVE
27 March 2020 – Review by David Huamán

Critical review of NAVE, exploring the interdisciplinary performance’s use of multimedia, live music, and movement to investigate themes of identity, memory, and belonging.

“As already mentioned, Silva starts from her own identity to build his
proposal. In a more concrete and intimate way, she starts from the
deep bond she has with her maternal grandmother.

As she herself says, it is necessary that this premise is also relevant for the audience. Thus, through sensorial
triggers and installation pieces, sounds, aromas, images, words frozen in time that come from the past, the theatrical
experience involves the avid spectator from the very beginning and turns him into the protagonist, the actor (the one
who acts, the one who acts) of a double homage: the one that Silva pays to her grandmother and the one that the
spectator pays to the depositary of his own evocation. The artistic object and its receiver become one in the process.
Although, it must be said, much will depend on the viewer’s predisposition to participate in an experience that could
be as intimate as it is invasive.”

https://eloficiocritico.blogspot.com/2020/03/critica-nave.html